I would try different buffer sizes to see if there is any improvement in the response of the DAW and HD when playing back and recording. It will also allow you to pass and receive your recorded audio to other professionals easily using the accepted industry standard for media of this type.Īlso your ‘buffer size’ is on the large side of things. Make sure both devices are set to the same depth and rate. This will give you a better noise ratio and slightly more fidelity in your recordings. Here is a link on how to set up the Zoom F8N as an audio interface, recording back-up and master:- Zoom F8n: Audio Interface Mode - YouTubeĪlso here’s a link to selecting audio drivers in Audition (this is where your DAW should become a slave):- How to connect to audio hardware in Adobe AuditionĪ couple of notes for you… I would change the bit depth and sampling rate and to 24/48kHz. I would set the Zoom F8N to be the master and the computer software to become a slave. This will removed the ‘digital drift/slipping’ between the devices used and in return produce audio without glitches/jumps or drop-outs. You will need/should do this when recording any digital audio using your listed set-up chain.īy doing this, the internal clocks of both devices become aligned and stay ‘locked’ together when recording or playing back. But when you connect any digital audio device to another digital audio device we must decide which device will be a ‘Master’ and which should be a ‘Slave’. The beauty with analog audio equipment is that you can connect anything to just about anything else and it normaly works. I think this could be your problem… Your digital devices (Zoom F8N & Computer) are un-synchronised.
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